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After a six-year hiatus, Julian "JuJu" Marley is back with his third album, "Awake."

The Ghetto Youths/Universal release, which he co-produced with his brothers Damian "Jr. Gong" Marley and Stephen Marley, drew inspiration from the spirit of Cedella Marley Booker, their grandmother (and Bob Marley's mother), who died in 2008.

Marley spoke to Billboard about maturing as an artist, youth-on-youth crime and the family legacy that inspires his music.

Billboard: "Awake" is your first album since 2003. Have you been working on it this whole time?

Julian Marley: Overall it took me two years to really start and complete it. Before that I was helping out with different Marley family projects, like the Roots Rock Reggae Fest and Africa Unite, and working on Stephen's and Damian's albums. I wrote and recorded "Awake" during the months in between and had input on everything, from the riddims on down. On my first two albums, I was still growing and still unsure about music. I ran into problems where I'd even written songs in a key that wasn't right for me. This time I found my own comfort zone, and the songs are tailor-made.

Billboard: What is the concept behind the album?

Marley: What's going on in the world right now is a sign of the times -- in Jamaica we say "judgment time." Jobs are gone, there's violence in the streets, and everything that we want exceeds the money that there is. On the title track I sing, "For many years we have been lost in our tears/For many years the prophets have spoke/And still we can't find no peace of mind/When will we wake?" We need to awaken the mentality of mankind.

Billboard: Stephen sings on "Too Little Too Late," and Damian is featured on "Violence in the Streets." What's it like working so closely with your brothers?

Marley: Putting "Too Little Too Late" together with Stephen was a great experience. It was like we were playing a game of soccer. I didn't know what to expect, but I loved how it came out. Jr. Gong and I have done other collaborations, but "Violence in the Streets" is about how we see the violence in Jamaica, or really anywhere. In England, you have 15-year-olds killing 15-year-olds, and no one understands why. It's because of lack of education.

Billboard: How are you promoting the album?

Marley: We've been playing new songs from the album live since April. We did three shows in the U.S. in April, in Mississippi, St. Petersburg (Florida) and the Jazz Fest in New Orleans. Now we're headed back to Jamaica to do a lot of promotional appearances and performances.

Billboard: Are you influenced by dancehall and other contemporary offshoots of classic, Marley-style reggae?

Marley: It's all natural. If I'm influenced enough to move my head and dance, then that's enough. The single "Boom Draw" is like street-style dancehall, but downtempo. We're promoting Jamaica on that song. As an artist, I can be inspired by other music -- that's how you learn.

Billboard: How does your family's influence run through "Awake?"

Marley: Our grandmother, Mrs. Booker, passed away while I was making the album, before I had started to record my vocals. I wouldn't say I was influenced by sadness, but "Awake" was born right there. I didn't take a pause with the recording process, because our grandmother was a person who would say, "Everything is all right. You need to do what you have to do." And she might be vexed if you're not doing it. To me, it's like, our ancestors that we love so much -- we're not going to see them again on this side of the fence. The only way I can feel them is through their spiritual energy, the same way that you see God through divine energy. At the end of the day, that energy runs through all of us as brothers.

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"Behind the Beats" will return next week, homies. We got some producers who have worked with all the big boys. Just wait. Today, we are going to respond directly to you with a new section, "Voice of the People." We appreciate you sending us comments on all our stories. And while we don't always see eye-to-eye with the readers (Lord knows they don't always see eye-to-eye with us ... LOL), we definitely love you taking time to check us out.

We brought Soulja Boy Tell'em in recently to holla back about a comment from reader Whozdat02, who on May 12 gave an opinion about the teen moneymaker's dreams of getting Jay-Z, Kanye West and Lil Wayne for his next album, The DeAndre Way.

"Wayne and Kanye can probably do the album, but Jay wouldn't work," the commenter wrote in. "The people that listen to Soulja Boy, for some reason, think Jay is wack or, as DonDelVita, puts it 'he's lame.' And for that reason, doing a record with Soulja Boy would be pointless, because the younger generation don't respect him."

Wow, harsh comments about the man the MTV News Hip-Hop Brain Trust voted the Greatest MC of All Time a few years ago. Soulja Boy — like us — disagreed with his fan's assessment.

"Jay-Z, I always respected him," Soulja told us. "Always. But I didn't always like his music. I guess because I was too young, and I couldn't understand what he was saying. ... I got signed when I was 16 years old. Before I got signed, I heard the song, and I was like, 'That's Jay-Z.' My favorite song from him was 'Dirt Off Your Shoulder.' I guess I liked the beat or the way he was flowing on there. Any other song I used to hear, I ain't really vibe with it like that. I used to listen to a lot of Down South artists like Three 6 Mafia or Gucci Mane. But recently, since I'm older now and I grew up, I like Jay-Z now. I'm a fan of his music. At first, I used to just respect him because he was Jay-Z; now I'm a fan of his music and I wanna work with him.

"In the car ride over here, we was listening to 'Brooklyn Go Hard,' " he added. "He said, 'I'm Jackie Robinson — I jack, I rob, I sin.' I didn't know he was snapping like that. Back then, I couldn't understand none of what he was saying."

The Streets Is Talking: News & Notes From The Underground

Soulja Boy has a few things in the works with DJ Drama. "Me and Soulja Boy working," Dram told us. "It's coming along. The tape is called Follow Me: The Gangsta Grillz Twitter Edition."

The potent Southern duo will release the mixtape on Twitter first in the coming weeks.

"Me and Soulja Boy are two guys people look to for inspiration to move things forward," Dram added. "So for all of the people who counted Soulja Boy out, that counted me out, why not? We all know how powerful Twitter is right now. Besides Soulja, look for that Drama and Gucci Mane, Drama and R. Kelly, Drama and Willie Da Kid, and possibly a DJ Drama and Fabolous mixtape."

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Cam'ron is getting to the money and apparently has no time for holding grudges. When Killa is cruising, he's not having flashbacks of old beefs. Despite past musical feuds with Nas and Jay-Z, the Harlem Diplomat says that he keeps their music in rotation. A classic is a classic.

"To be honest, I've been listening to a variety of stuff," Cam told us a few weeks ago, when asked whose music he enjoys these days. "The last album I bought was Plies' album. I like Plies a lot. Basically, being in Florida, you feel him even more when you're in that atmosphere. [Lil] Wayne is my man. I got stuff like Jay-Z's first album, Reasonable Doubt, [Nas'] infamous Illmatic, stuff that makes me think. [A lot of] new albums are like, 'Eh, whatever.' But I got a lot of '97, '98 stuff in my car, '96. Raekwon's Only Built 4 Cuban Linx. ... I always listen to DeBarge. DeBarge is always in the loop. John Legend. Beyoncé's new CD is in there. I do a lot of mixtape R&B stuff. I even got the Force M.D.s."

The Streets Is Talking: News & Notes From The Underground

From the South to the North and everywhere in between, OJ Da Juiceman is getting love from his fellow hip-hop dignitaries. Jadakiss has him featured on "Who's Real," R. Kelly has him on the underground record "Superman High," and there are plenty more collaborations in the works.

"I did a song with Saigon; it's called 'What Would You Do for Pu---," he said. "I'mma have this record with Cassidy. I got in the 'Hustler's Anthem' remix with Busta Rhymes and T-Pain. I got in touch with Grafh — he said he wants to do something. [Tony] Yayo got on the remix to 'Make the Trap Say Aye'; it's a bunch of people. I'm working with everybody that extended their hand out. Me and Ron Browz about to do something. I did song with D-Block that's a real record."

And in addition to all that, Da Juice is currently working on a follow-up to the project he released earlier this year The Otha Side of the Trap.

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