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The Rhythms of The Muses

posted March 24, 2009 - 12:51am
The Rhythms of The Muses

In popular culture the Greek Muses are seen as representations of artistic inspiration. Writers, and especially poets, are keen to express their mysterious source of insights as a territory inhabited by their muse. Dante, feeling fragile and forlorn as he enters the Inferno laments, “O Muses, O high genius, aid me now!” This may all seem a bit of classical allegory; harmless but slightly anachronistic for our age. However, I think the Muses are symbols of something far more important.

Let's firstly look at a list of the nine Muses and their respective arts:

Calliope - Epic poetry
Clio - History
Erato - Lyric poetry
Euterpe - Music
Melpomene - Tragedy
Polyhymnia - Choral poetry
Terpsichore - Dance
Thalia - Comedy
Urania – Astronomy

Yes, there is a lot of poetry in the list but we also mustn't forget that in an age with few books or any other recording medium most knowledge was set down and transmitted in some poetic form so as to make it easier to remember. The rhythms and rhymes of poetry are just so much easier to memorize than long passages of prose. Having said that, there are two Muses that have always struck me as seemingly out of place: Clio and especially Urania. What is the Muse of Astronomy doing in the same family as her poetic sisters?

According to Hesiod's Theogeny (written in the seventh century BC) the Muses were the offspring of Zeus and Mnemosyne, the goddess of memory. Indeed, our words for 'memory', 'mnemonic' and even 'meme' are derived from Mnemosyne. This now starts to make much more sense. In the same Theogeny, we are told that kings and scholars receive their powers of knowledge from Mnemosyne and the Muses. Such memories are not just personal but collective. In an age with few written records the preservation and teaching of one's history is of prime importance in fostering one's identity. The history of the tribe, of this world and the next are encoded into the rhythms of the Muses, be they in poetic meters or planetary orbits.

In this new context what seemed to be the two ugly sisters are perhaps the two most important ones, with Urania, in the guise of astrology, being the history of the future and Clio, the Muse of History, being the embodiment of everything the other arts aim to achieve – the preservation of history and hence identity. It is therefore also fitting that the word 'museum' is derived from 'Muse', as well as 'to muse' and 'amusement'.

As our modern physics and neurosciences show that both the universe and humans are ultimately composed of frequencies, the idea of the Muses as personifying the rhythms of memories brings the nine sisters back into being a meaningful part of our own culture.

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